Bring a touch of 19th-century elegance into your home with this original chromolithograph of The Departing Guest by American painter Alfred Wordsworth Thompson (1840–1896). Thompson, celebrated for his Civil War scenes and refined genre paintings, trained in Paris and exhibited at the National Academy of Design and the Paris Salon.

The Departing Guest (22” x 36”) depicts a genteel Southern home where visitors on horseback take their leave, offering a vivid glimpse into post-Civil War American life. These works were produced in the late 1800s as high-quality chromolithographs, mounted on sturdy backing for display in Victorian parlors.

This piece remains well-preserved with age-appropriate foxing on the reverse, strong color retention, and its original period charm. Collectors especially prize it when paired with its companion print, The Returning Guest.

A fine example of American parlor art history — large, striking, and ready to hang.

This large original oil painting, signed L. Bing, depicts a rustic harbor with colorful fishing boats moored beside weathered dockside buildings. The work is painted in heavy palette-knife strokes with rich impasto texture, giving the scene depth and energy.

At an impressive 24” x 36”, the piece makes a bold statement. It is presented in its original cedar wood frame, which enhances the painting’s rustic coastal character and adds to its mid-century appeal.

Paintings signed L. Bing were produced in the mid-20th century for the décor market, often sold through galleries and department stores in the 1960s–70s. While not tied to a single listed artist, they remain collectible today for their size, craftsmanship, and vintage style.

A striking vintage coastal oil painting with original cedar frame — perfect for nautical, rustic, or mid-century inspired interiors.

This early 20th century vintage hand-colored etching, signed by the artist Grelot, beautifully captures the charm of a European town square. Tall guild houses line the street while flower vendors and a welcoming café add life and atmosphere. The cobblestones glisten as though after a rain shower, evoking the timeless bustle of continental street life.

The work is hand-signed in pencil by Grelot and marked 89/350, confirming it as part of a limited edition series. Measuring 29 ½” x 25” in its original frame, the piece retains its aged backing paper and hardboard mount, which testify to its vintage origins and add authentic period character.

Though Grelot remains a lesser-known name, signed limited editions of this scale and quality are collectible for their decorative appeal and European charm. This example’s generous size, vintage condition, and strong subject matter make it a standout for display.

A large, early 20th century vintage etching — “Café on the Square” — numbered 89/350 and ready to hang.

This large vintage limited edition print by artist David Ambrose depicts the serene beauty of the Florida Everglades. White egrets lift gracefully into flight over the still waters, framed by tall palms and dense cypress foliage, while warm light filters through the trees to dance across the river’s surface.

The work is hand-signed by Ambrose and numbered 101/250, confirming it as part of a limited edition series of just 250 impressions. Measuring an impressive 24” x 45” in its original marbled gold frame with linen matting, this statement piece captures the tranquil atmosphere and natural grandeur of Florida’s most iconic landscape.

Ambrose’s Everglades scenes are admired for their sense of peace and movement, making this artwork not only a collectible but also a timeless decorative focal point.

A large, vintage signed and numbered edition — “Florida Everglades Flight” — limited to 250 prints, beautifully framed and ready to hang.

This collectible piece by Thomas Kinkade (1958–2012), known worldwide as the Painter of Light, is part of his cherished Hometown Memories series. “Hometown Bridge” portrays a charming village lane where a horse-drawn carriage crosses a classic stone bridge, cottages glowing in the background, and sunbeams streaming through the trees — a scene rich with Kinkade’s signature warmth and nostalgia.

This example is numbered 916/2050 G/P and designated a Gallery Proof (G/P) edition, one of Kinkade’s more sought-after variations. Gallery Proofs are prized because they often include special hand-applied highlighting that gives the work additional depth and a luminous quality, enhancing its collectibility.

Measuring 21.5” by 31” in frame, the print is beautifully presented with its original museum-style matting and wood frame, ready to display. As part of the limited edition of just 2,050 G/P prints, it carries both decorative beauty and investment appeal.

Kinkade’s Hometown Memories collection remains one of his most nostalgic and desirable series, evoking small-town charm and the enduring values of home and family.

This collectible work by Chiu Tak Hak (b. 1943), known for his impressionistic views of Paris and European landmarks, captures the timeless grandeur of Notre Dame Cathedral along the Seine. The scene portrays elegant figures by the riverbank, a docked boat, and the French tricolor waving proudly beneath the cathedral’s soaring spires — a romantic vision of Paris at its most iconic.

This example is hand-signed in pencil by the artist and numbered 278/1950, confirming its place within a limited edition series. Lithographs by Chiu are admired for their soft light and painterly detail, and this Paris subject is among his most desirable themes.

Measuring 31” by 25” in frame, the piece is beautifully presented with double matting and a gilt frame, ready to display. As part of a limited edition of 1,950 impressions, it offers both decorative appeal and collectible value.

Chiu Tak Hak’s Paris works remain popular for their ability to capture the romance of the City of Light, making this limited edition lithograph a fine addition for collectors and admirers of European art alike.

This finely detailed graphite drawing by American artist Joseph R. Vick (b. 1944) captures a classic rural scene: a blacksmith shoeing a mule while a helper steadies the animal, framed by the rustic architecture of a working barn. Titled “Mule Skinner Blues” (2007), the work resonates with themes of labor, tradition, and community that define much of Vick’s art.

This piece is hand-signed by the artist and numbered 15/15, marking it as the final work in a very limited edition of only fifteen. Vick also inscribed Hebrews 3:15, a scripture reference reflecting his integration of faith and artistry.

The artwork is beautifully set in a custom solid wood frame, crafted to complement its rural subject matter. On the reverse, a printed biography of Joseph R. Vick provides background on his life and artistic career, including his reputation for celebrating Americana through his evocative drawings.

Measuring 12” x 16” framed, this artwork is display-ready and offers both decorative appeal and collectible significance. With its extreme scarcity, signed authenticity, and heartfelt subject matter, “Mule Skinner Blues” is an excellent choice for collectors of Americana, equestrian scenes, or the works of Joseph R. Vick.

This limited-edition pencil drawing reproduction by American artist Joseph R. Vick captures the raw strength and determination of farm life. Titled “Mule Might” (2001), the work portrays a pair of powerful mules straining forward under a farmer’s guidance — a scene that reflects both the grit of agricultural labor and the enduring partnership between man and beast.

The print is signed and numbered by the artist (386/750) and includes the reference Job 12:7–10, emphasizing Vick’s characteristic blending of Biblical inspiration with rural themes. Presented in a handsome handcrafted wooden frame (12” x 16”), the piece is ready to display and adds rustic Americana charm to any collection.

Joseph R. Vick is known for his detailed pencil drawings of farm life, mules, and draft horses, and his work is cherished particularly in the Southeastern United States. His limited editions are prized by collectors of equine and rural-themed art.

This whimsical limited edition print by Jeff Leedy (b. 1941) captures his trademark humor and playful artistry. Titled “The Difference Between Cats and Dogs”, the piece highlights Leedy’s witty observation:

“The difference between cats and dogs is that cats aren’t afraid of losing their job.”

The print is signed by the artist and also remarqued with a bold pastel signature on the mat, offering double the collectible appeal. Leedy’s lighthearted style, combined with his ability to blend fine art with humor, makes this work instantly engaging and highly recognizable.

Measuring 18” x 24” framed, the piece is beautifully presented with a clean black frame and cream matting, ready to hang and enjoy. A wonderful addition for collectors of humorous art, animal lovers, or anyone who enjoys artwork that brings both charm and laughter into the home.

This serene limited-edition print by Sharon Manka, a celebrated Wisconsin wildlife artist, captures three mallard ducks at the shoreline in fine, naturalistic detail. Known for her sensitive depictions of wildlife in natural settings, Manka delivers a scene that radiates tranquility and lifelike charm.

The piece is signed and numbered by the artist (175/980), confirming its authenticity and place in a limited press run. It’s carefully framed and double-matted in rich green and rust tones that enhance the earthiness of the scene. The framed dimensions are approximately 28” wide by 22” high, making it a striking, ready-to-hang work.

Sharon Manka’s artwork is beloved by nature and wildlife art collectors, especially those fond of waterfowl and outdoor themes. This print would be a beautiful addition to a home, cabin, or collection of fine wildlife prints.

This special edition of “Dickens’ Dream” by Robert William Buss (1804–1875) offers a rare connection to literary and artistic history. Buss originally painted this imaginative piece in the 1870s, depicting Charles Dickens seated at his desk, surrounded by the lively characters he created. It has since become one of the most iconic visual tributes to Dickens’ literary genius.

This commemorative edition was released in 1992 in aid of The House of Mercy, Belmont, NC, reproduced by kind permission of The Charles Dickens Heritage Ltd. and The Dickens House Museum. It is authenticated and hand-signed by members of the Dickens family, including Christopher Charles Dickens (Chairman, The Charles Dickens Heritage Foundation) and Jeanne-Marie Dickens (Founder President). The print bears the serial number 425.

Measuring 22” by 25” in its handsome wood frame with archival matting, this edition carries both artistic and historic significance. The dual Dickens family signatures add an extra layer of authenticity and desirability, making this piece a striking display for collectors of literary art, Victorian culture, or Dickens memorabilia.

This striking courtroom lithograph is by William Sharp (1900–1961), the German-born American illustrator renowned for his caricatures, political cartoons, and satirical depictions of society. His works appeared widely in American newspapers and magazines throughout the 1930s–1950s, where his wit and sharp observational style earned him recognition among the era’s top illustrators.

The artwork captures a dramatic trial in progress — complete with impassioned lawyers, animated gestures, and weary jurors — a scene that reflects Sharp’s ability to blend humor, critique, and realism in a single composition. His signature appears clearly in the lower right, authenticating this piece as one of his original lithographs.

Presented in its vintage black wood frame, the piece measures 11” by 14”, making it a versatile size for display in a study, law office, or art collection.

William Sharp’s courtroom scenes remain especially appealing to collectors of Americana, legal-themed art, and mid-century illustration, offering both historical charm and a touch of humor.

This original lithograph by William Sharp (1900–1961), a renowned illustrator and courtroom artist, captures the intensity and drama of deliberation inside a crowded jury room. With his keen eye for expression and gesture, Sharp presents a compelling narrative scene — jurors leaning in, debating, smoking, sipping coffee, and wrestling with the weight of justice.

William Sharp, born Leon Schleifer, was a Hungarian-American artist best known for his editorial cartoons, illustrations, and courtroom sketches during the 1940s–50s. His works often appeared in newspapers and magazines, blending social commentary with sharp detail and a bold illustrative style.

This lithograph is signed in the plate by the artist in the lower right corner. Measuring 14” x 18” in frame, it is presented in its original vintage matting and black wood frame, ready to hang.

A fine example of Sharp’s distinctive style, this piece appeals to collectors of courtroom art, historical illustration, and mid-20th century Americana.